Posted on

The History of the English language – Old English morphology

Having looked at the dialects of Old English, Middle English, and Modern English, let’s return to Old English again!

Today, let’s look at morphology.

But first, what is morphology, really?

Well, in linguistics, morphology is the study of words. Specifically, morphological studies look at how words are formed and analyse a word’s structure – studying, for example, stems, root words, prefixes, and suffixes.

This may mean that you separate a word into its different morphemes to study how a word is constructed. Here is an example of how that might look, based on the word independently:

Created by Annie Yang (25 April 2017)
Got it? Great! Let’s move on to Old English morphology!

Now, when it comes to morphology, Old English is quite different from Modern English.

Being much closer in nature to Proto-Germanic than modern English is, Old English has a morphological system that is quite similar to its predecessor. If you want to have a modern language to compare with, Old English morphology might actually be closer to the system used in modern Icelandic than it is to modern English! (If you are unfamiliar with Icelandic, think a more conservative version of modern German).

What does that mean, though?

First, it means that Old English had retained five grammatical cases:

  1. Nominative
  2. Accusative
  3. Genitive
  4. Dative
  5. (Instrumental)

(The instrumental case is quite rare in Old English, so you could say that it really only retained four).

Three grammatical genders in nouns:

  1. Masculine
  2. Feminine
  3. Neuter

And two grammatical numbers:

  1. Singular
  2. Plural

In addition, Old English had dual pronouns, meaning pronouns that referred to, specifically, two people – no more, no less.

As you can probably see, this is quite different from what Modern English does.
If you can’t quite put your finger at exactly what is different…
  1. Modern English has retained the nominative, accusative and genitive case, but only in pronouns. So, we find differences in I/he (nominative), me/him (accusative), and mine/his (genitive), but not really anywhere else. In Old English, though, we would find a specific inflection following the nouns, verbs, etc. for this too (so a word like se cyning ‘the king’ in the nominative form becomes þæs cyninges ‘the king’s’ in the genitive and þǣm cyninge in the dative becomes ‘for/to the king’.
  2. English has not retained the grammatical genders (thank any almighty power that might be listening). This means that, unlike in German, there is no declension depending on whether the word is masculine, feminine or neuter (like the infamous German articles die, der, das).
  3. But, as I am sure you are already well aware, English has retained its grammatical numbers (singular and plural), though it has lost the dual function that Old English had.

A bit different, clearly.

To add to the above, Old English also separated between its verbs: all verbs were divided into the categories strong or weak.

Strong verbs formed the past tense by changing a vowel – like in sing, sang, sung, while weak verbs formed it by adding an ending – like walk – walked. As you can see, Modern English has retained some of this division though we nowadays call strong verbs that have retained this feature irregular verbs while weak verbs, interestingly, are referred to as regular verbs.

Sounds easy, right? Yeah, we’re not done.

In Old English, you see, the strong verbs were divided into seven (!) different classes, each depending on how the verb’s stem changed to show past tense. I will not go through them all here – it is simply a bit too much for this blog, but check out my sources if you want to know more.

Point is, that means that there were seven different ways a verb could change to indicate past tense + the weak verbs.

Now, the weak verbs also had classes. Three, to be specific. I won’t go through those either (trust me, it’s for your benefit because you’d be stuck here all day).

So, we have two main categories and ten sub-categories.
Woof.
That’s a lot to keep track of.

And that is not even considering the changing patterns of nouns, adjectives, pronouns, etc., etc., or the numbers, or context.

Gosh, and I keep getting stuck at concord in Modern English! (Swedish doesn’t use something equivalent to the s on verbs in third-person singular, and it is one of my more commonly made mistakes when writing in English).

Old English morphology is obviously very different from Modern English! And, although this is obviously just a very brief glance, I’m going to stop there. This is the very broad strokes of some of the major differences between Old English and Modern English, but we’ll explore more how it went from this:

Se cyning het hie feohtan ongean Peohtas

Extract from the Anglo-Saxon Chronicle, anno 449

to this:

The king commanded them to fight against [the] Picts

Translation of the extract from the Anglo-Saxon Chronicle, anno 449

next week, when we take a look at the changing system of Middle English morphology and experience the loss of many of the inherited morphological systems! Join me then!

.

References

For this post, I’ve relied on my own previous studies of Old English Grammar by Alistair Campbell (1959); An introduction to Old English by Richard M. Hogg (2002) and Old English: A historical linguistic companion by Roger Lass (1994).

However, I’ll admit to having refreshed my knowledge of Old English morphology by having a look at Wikipedia, as well as comparing it with modern English morphology in the same place.

The text from the Anglo-Saxon Chronicle, both in Old English and in Modern, is retrieved from here.

Posted on

ᚺᛖᛚᛚᛟ ᛞᛖᚫᚱ ᚠᛟᛚᛚᛟᚹᛖᚱᛋ!

ᚺᛖᛚᛚᛟ ᛞᛖᚫᚱ ᚠᛟᛚᛚᛟᚹᛖᚱᛋ!
Hello dear followers!

Welcome back from summer vacation! Sabina here and, boy, do we have a treat for you today! Today, we’re going to talk runes! When people see this fascinating little writing system, they tend to think of Vikings, so I guess it makes sense that one of our nordic contributors write this post. For me, runes were the initial introduction to linguistics (though I didn’t realise that at the time), and they are still very dear to my heart, so if I get a bit caught up in it, please forgive me.

Though it might make quite a bit of sense to think about Vikings when seeing a runic inscription, the runic writing system actually comes in many varieties and was used in a number of Germanic languages before the Latin alphabet.

First off, let’s check out some things that differ between the Runic writing systems and the one we are using here today (i.e. the Latin alphabet). There are, of course, a number of them, but let’s check out some basic differences for now.

Let’s start with looking at the material on which most Runic inscriptions are found (it’ll be important in a sec, I promise): Rather than paper, most runic inscriptions are found on wood, stone, or even metal. This may just be due to easy access; it was certainly a lot easier to get a hold of a piece of rock than parchment in the days when runic writing was used.

Now, this is where the material becomes important: runes distinctly lack a rounded shape, most of them being angular. One could argue that this may just have been easier to carve into the hard surface, but some believe that the angular shape actually reveals something more about the origins of the runic writing system. You might be thinking, “it must be somewhere in Scandinavia” because you got hung up on Vikings. That, however, may be far from the truth (though, as in most things concerning historical linguistics, we simply can’t know for sure). Some argue that the lack of rounded shapes in the Runic alphabets may be an indication of an Old Italic origin (remember, Latin is an Italic script). Some Old Italic scripts, e.g. Etruscan or Raetic, share this angular property with the Runic alphabets, and some scholars argue that the Runic alphabets are derived from these, probably through early contact between the Germanic languages and the Old Italic ones. Some even believe that runes might actually derive from the Latin alphabet itself. So, while you might be inclined to think that there is a world of difference between the symbols used to write ‘ᚺᛖᛚᛚᛟ’ and ‘hello’, the symbols used in the former may be derived from an ancestor of the latter! (I love writing systems, have I ever said so? Well, it’s worth saying again).

Now, two more things to be noted about the Runic alphabets, before we dig into an overview of the ones that have been used: firstly, in the earliest Runic inscriptions, they didn’t have a fixed writing direction. This means that, unlike our modern script, the earliest Runic inscriptions could be written (and read) either left-to-right or right-to-left (trust me, you want to keep this in mind if you plan to study early runic inscriptions to any great extent. It can get really confusing otherwise, since the writing direction may actually change within the same inscription). It stabilized into a left-to-right pattern later on, though.
Secondly, word division is not commonly used. Basically, itmeansthatrunesarewrittenlikethis. Kinda hard to read, huh? (alright, I was kinda nice to you guys and put in some word division in my hello today but, really, something like this: ᚺᛖᛚᛚᛟᛞᛖᚫᚱᚠᛟᛚᛚᛟᚹᛖᚱᛋ would be more correct) Check out the Franks Casket, an amazing little relic with an Old Norse poem written in runes on it, here to see an example of how this may look. Actually, check out the Casket even if you don’t want to see this specifically; it is still awesome. Sometimes word division was indicated by one or more dots, but that was somewhat unusual.

Now, let’s dig into the most famous Runic alphabets, shall we?

Some of you may think that there was just one kind of runic alphabet – you’re in for a treat! There were, in fact, several. We will mention three today: the Elder Futhark, the Younger Futhark and the Futhorc. Notice the names are very similar? Well, that’s because the alphabets are named after the first six letters, which just happens to spell out ‘futhark’ (or futhorc).

The Elder Futhark is the oldest recorded variety of the runic alphabets, used approximately between the 2nd and 8th centuries AD. It consisted of 24 characters, typically divided into three ættir (compare with Swedish ‘ätter’ meaning ‘family/clan’), each ætt including eight characters, as below.

 

As you may know, runes were also considered to have certain magical properties, and the very word ‘rune’ means ‘secret’ or ‘mystery’. Though we won’t go into detail here, the first ætt is typically considered to be the ætt of the Norse fertility deities Frey and Freya. The second is the ætt of Heimdall, the guy who watches for the start of Ragnarrök (the end of the world, in case you missed the movie), while the third is considered to be the skygod Tyr’s1.

Now, the Elder Futhark eventually gave way to the Younger Futhark around the 8th century. The Younger Futhark is a reduced version of the Elder Futhark and only contains 16 letters. The Younger Futhark is the Runic alphabet most people think about when we’re talking Viking runes. However, even in the Viking-countries (i.e. the Scandinavian ones), the Younger Futhark varied. In Denmark, we can recognise so called ‘long-branch’ runes:

While in Sweden and in Norway, we see ‘short-twig’ runes:

Let’s complicate it just a liiiittle bit more because in Sweden, you have yet another set called the Bohuslän runes, used specifically in the west coast region (Bohuslän), north of (and including) the city of Gothenburg (coincidently, my hometown). Interestingly enough, this is a set of not 16 letters but 26; 2 more than the original Elder Futhark.

Alright, now that we’ve covered the Elder and Younger Futhark, let’s step over to the Futhorc. Notice the difference in name? Based on what we’ve said previously on language change and the early Germanic dialects, do you think you could guess who used these runes?

Do you have an answer in mind? Is it perhaps the Anglo-Saxons? In that case, you are absolutely right!

The Anglo-Saxon runes, or the Futhorc, is an extended, rather than reduced, version of the Elder Futhark. Instead of the Elder Futhark’s 24 letters, the Futhorc has between 26 and 33 letters (yeah, I know, but I can’t give you a definite number!). How they wound up in the UK (where you can find them on, for example, the Franks Casket mentioned above or the Kingmoor ring, which is inscribed with a magical formula) is still much discussed, though one hypothesis is that it was developed in Frisia. The language of Frisia, Old Frisian, is a closely related kin to Old English and, indeed, we do find that these runes were used also in Old Frisian. Another suggestion is that the Vikings brought them over and the Anglo-Saxons modified them a bit and then spread them to Frisia.

Anyway, the Futhorc was used from approximately the 5th century and was used in England all the way up to the 10th or 11th century. Its use was in decline from about the 7th century, and it largely ceased after the Norman Conquest. Despite this, you can actually see a couple of the old runic symbols tagging along during the Middle English era, as well, specifically the letter wynn <ƿ> and the letter thorn <þ>. Now, while these might look similar, do not mix them up! In Modern English, the former is the letter <w> while the latter is the digraph <th>, so you may get very confused if you do. Also, if you are to read a Middle English manuscript you might come across a letter that looks suspiciously like <y>. Don’t confuse that one, either. It may be either wynn or thorn, and the scribe just missed the line that connects the rounded shape to the vertical line. In fact, this kind of confusion is exactly where we get ‘ye’, as in ‘ye olde’, from.

Right, sidetracked. Getting back to it.

Anyway, the Futhorc looks like this:

Quite a difference from what we saw in the Elder and Younger Futhark, huh? Like everything else in language, variation is the spice of life; it just adds a bit of zest, don’t you think? (Though, admittedly, making it all the more difficult to learn.)

I’ve hammered you with runes for quite a bit today, haven’t I? I did try to restrain myself, honest, but runes are just so awesome, I couldn’t help myself.

Until next time, ladies and gents. I hope you enjoyed our little runic talk! Come back to us in two weeks when our amazing Riccardo will be here to talk to you about the endangered languages of Italy!

References

1Check out our reference D. Jason Cooper’s more in-depth account on the different ættir here

Most of our references today are from a marvellous little page called Omniglot. You’ll find our source regarding the Elder Futhark, the Younger Futhark and the Futhorc right there as well as some general info on the runic writing systems. Also, the original runic pics modified for the purposes of this post are to be found on Omniglot, in the links that have been provided. Take a look and be dazzled! Also check out the Futhark on ancientscriptscom, our second source for the different hypotheses regarding the origin of the runic writing system. Enjoy!