Early Germanic Dialects – A reminder

And we’re back!

Gosh, long time no see!

As I am sure that you are aware, the HLC is undergoing some changes. I do hope you enjoy the ones that I’ve done so far! If not (or if something could be done better), just contact me under “Contact” and tell me!

We’re back on track now though, and I am taking you back to my Early Germanic Dialects series!

However, as you haven’t heard anything about EGDs since this spring, and summer offering all those lovely distractions, a recap might be in order.

During spring, we talked about Gothic, Old Norse, Old English and Old Saxon. We also went through the relationship between the Germanic languages, and that is where I am going to start!

As you might (or might not – I don’t judge) remember, we talked about the Germanic language family. I tried my best to explain that there are three distinct branches of Germanic (and hope I succeeded reasonably well!)

These branches are: East Germanic, North Germanic and West Germanic.

East Germanic had only one known descendant: Gothic.

Gothic, of course, is now extinct, meaning that this particular branch of Germanic is, unfortunately, lost. But not completely, thanks to surviving materials and hard-working historical linguists!

The most famous work written in Gothic is the Codex Argenteus, also known as the Silver Bible. If you find yourself close to Uppsala, Sweden, go by the Exhibition Hall at Carolina Rediviva and check it out. It truly is a marvel (and entrance is free of charge!).

While you’re there, check for some of the unique traits of the Gothic language – like the use of reduplication and the lack of rhotacism! (If you can’t remember what that is, check out our original post here!)

Let’s move on, shall we?

The next branch of Germanic is slightly larger than its sibling: let’s talk about North Germanic.

The surviving daughters of North Germanic are all found in the northern parts of the world (surprise, surprise…). They are Danish, Swedish, Norwegian, Icelandic and Faroese. The languages are usually divided into West Scandinavian Languages (Norwegian, Icelandic and Faroese) and East Scandinavian Languages(Swedish and Danish).

The sub-division is simply because the languages hail from different dialect groups of Old Norse. They therefore differ a bit from each other.

Among the notable features of Old Norse, we find some assimilatory phenomena that, collectively, are quite unique. I won’t go over them all here, but, as an example, the Gothic consonant cluster [nþ] becomes [nn], as in Gothic finþan ‘find’, which becomes finna in Old Norse.

If you would like to read up more about the Old Norse language, check out our original post here. And don’t forget to check out some of the Icelandic Sagas and Eddas! (Like the Codex Regius, meaning “Royal Book” or “Kings’ Book”. The manuscript has been photographed and is available here.)

And now, we reach the final, and largest, branch of Germanic: West Germanic.

Now, West Germanic, in comparison to what we’ve just looked at, is huge. It consists, at the first level, of the Proto-German and Anglo-Frisian languages.

Let’s take a look at the Proto-German (not to be confused with Proto-Germanic) languages first.

The Proto-German languages are the ancestors of German, Yiddish, Low German, Dutch, and Afrikaans. Here, we also find Old Saxon, which we’ve briefly talked about before.

Our most famous source of the Old Saxon language is the Heliand, an alliterative poem of some 6000 lines. Surviving evidence of Old Saxon indicates several unique, or mostly unique, features, such as the unconditional change of the Proto-Germanic diphthongs /ai/ and /au/ to [e:] and [o:].  For example:

Old Saxonstên
Gothicstains
Old Norsesteinn
Old High Germanstein

However, the poem isn’t interesting only for its linguistic features but also for how it was written. The poem itself is, or should have been, a pretty standard retelling of the life of Jesus. But the Heliand actually changes the setting!

Instead of describing some far-off Holy Land, the story is set on the marches and plains of Northern Germany! Worth checking out just for that, isn’t it? Well, if you feel up to the challenge – check out the British Library’s manuscript (Cotton MS Caligula A VII) here.

Finally, the Anglo-Frisian languages.

As I’m sure you’re expecting by now, this is where we find the ancestor of English and Frisian. We haven’t actually talked about Old Frisian yet, but we have covered Old English!

Remember: surviving texts of Old English are mostly written in the West Saxon dialect. What we mean when we say “Old English” is really “Late West Saxon Old English”. You should keep that in mind if you want to study, say, dialectal variation in Old English.

We have many surviving texts of Old English. Beowulf is the typical example (check it out here). But we also find The Anglo-Saxon Chronicles, Cædmon’s Hymn and many others.

Linguistically, Old English underwent a process, shared among its siblings only by Old Frisian, known as palatalization of the stops k and g – meaning that these become [tʃ] (as in church) and [dʒ] (as in drudge) respectively.  This is the process by which we get corresponding pairs like skirt/shirt, where shirt is the palatalized Old English form, while skirt was borrowed from Old Norse, which didn’t undergo this process and thus retained the hard [k] sound.

Of course, that is not the only thing that is interesting with Old English. To learn more, check out the original post here.

And that’s our recap (with some additional links to some great manuscripts!).
Join me again next week when we continue our trip down memory lane and dive into Old Frisian!
Until then!

.

References

You’ll find most references for this post in the links that are provided throughout the post. In addition, I refer you to Robinson’s Old English and its closest relatives (1992).

Early Germanic Dialects: The Gothic language

friaþwa usbeisneiga ist, sels ist:
friaþwa ni aljanoþ;
friaþwa ni flauteiþ, ni ufblesada,

Recognise that? No? What if I told you that a (somewhat modified) version of this exact thing is very popular to quote during wedding ceremonies (in fact, my husband and I had it read during ours). Still nothing? How about this:

Charity suffereth long, and is kind;
charity envieth not;
charity vaunteth not itself, is not puffed up,

Yes? Marvellous! This is 1 Corinthians 13:4, though nowadays, we usually say ‘love’ rather than ‘charity’ (yes, even the Bible changes throughout the centuries). But what is that weird little language we started out with? Well, that’s Gothic, our topic of the week!

Being the only East Germanic language (that we know of), it differs a bit from the rest of the Germanic languages, and in this post, I hope to highlight some of these differences and tell you a bit about the history of the language and the people who spoke it.

Let’s start there actually. Sit back, have a nice cup of tea, and let me tell you the story of the Goths.

Though less famous than the Vikings, the Goths also hailed from a Scandinavian country, the native country of half the HLC actually: Sweden! We see their influence in the names of two mainland counties: Västergötland, Östergötland, and the island Gotland! The mainland appears to be the most likely point of origin, though by the time we are first told something about the Goths, Roman and Greek sources place them along the Vistula River during the first and second century. The sixth-century historian Jordanes says that they originally came from across the sea, though, which would point to the Swedish mainland.

Why, exactly, they decided to move away from Sweden is a bit unclear, but it is sometimes suggested that it was due to population pressure. Regardless, we know that around the year A.D. 170, the Goths settled between the Don and Dniester Rivers (an area north of the Black Sea).

Perhaps unsurprisingly for a Scandinavian people who moved around a lot, the Goths were a warlike people and, now, they were at the borders of the Roman Empire. Don’t think they didn’t do anything about that—in fact, they managed to force the Romans to abandon the province of Dacia, in present-day Romania, around the year 270.

From around the time of Dacia, the Goths split into two groups, the Visigoths and the Ostrogoths, and they pretty much became separate, independent groups thereafter. The Ostrogoths continued to consolidate power, while the Visigoths were moving around on the edges of the Roman Empire, sometimes fighting together with their Roman allies, and sometimes fighting against them.

The Visigoths eventually became Christianized, largely thanks to the Gothic bishop Wulfila, one of the most famous Goths in history thanks to his tireless efforts to convert the Goths and also for one of the results of those efforts: the Gothic Bible. I actually talked about this in my post on Proto-Germanic as well, but what I didn’t say is that the Gothic Bible is a marvellous witness to a very different language. In fact, it is one of the major sources of our knowledge of the Gothic language and it was written primarily by Wulfila—or at least it is attributed to him. In order to translate the Bible into Gothic, though, Wulfila first had to pretty much invent a Gothic alphabet! Until this point, the Goths had written primarily in runes, like many other of the Germanic tribes, but Wulfila’s alphabet was based on the Greek one, though some Latin and Runic symbols can be seen as well:

(From Omniglot)

The two letters without any information under them were adopted for their numeric value only  and supposedly borrowed from the Greek alphabet, according to Ancient Scripts (though, I’ll admit I’m somewhat confounded myself about ᛏ, as it closely resembles the rune Tyr or Tiwaz, and so I’m more inclined to see a runic origin for this letter. That’s just a personal opinion though, and I’m not familiar enough with the ancient Greek, or the Gothic, alphabet to say anything further on the subject).

Anyway, the Gothic Bible—or the Wulfila Bible as it is sometimes called—became a primary source for our knowledge of the Gothic language. On that note, let’s look at some of the features that distinguish Gothic from the other Germanic languages!

First, let’s look at a rather characteristic feature: a large number of words in Gothic show  long [eː] where most other Germanic languages show an [aː] or [oː]. The Gothic vowel is assumed to come from Proto-Germanic, probably with the phonetic value [æː]. For example:

Old High GermanGothic
manodmenoþ

So if you’re looking at a text and you keep seeing <e>, where you would expect an <a> or <o>, you might be looking at Gothic. But that’s hardly enough to be sure, so let’s look at some other features!

Gothic also underwent a change called sharpening. While this change is also found in Old Norse, it is otherwise fairly unique to Gothic. What it means is that some instances of <gg> represent a long [gg] sound, rather than [ŋg], which we would expect in English. These sharpened sounds always show up before the consonant <w> and represent a development from Proto-Germanic <ww>. The sharpening also happens in the Proto-Germanic sequence <jj>, which becomes <ddj> in Gothic. For example:

Old High GermanGothicEnglish
(gi)triuwitriggws 'true'
zweiiotwaddje'of two'

The last of the distinctive phonological features we’ll look at is a process called rhotacism. Rhotacism is a change, which affected all the Germanic languages except Gothic, in which the Proto-Germanic z became r. What this means is that if you find a <z> where you would otherwise expect an <r>, it is starting to become very likely that you’re looking at Gothic.

Aside from phonological features, Gothic also has a couple of other distinctive features. Specifically, I want to say a little something about the verbs of Gothic, as Gothic makes use of a process that is not used in the other Germanic languages. Traditionally, the strong verb conjugation in Germanic languages is said to have seven subclasses. I won’t go through this in detail because it quickly gets a bit complicated, but the first six use some kind of vowel alternation to show tense (e.g. PDE sing-sang-sung). This is also true for the seventh subclass in most Germanic languages. But not in Gothic.

Instead, Gothic uses something known as reduplication. What this means is that the past tense of the verbs in the seventh subclass is formed by repeating the first consonant, or consonant cluster, and adding <ai> after it – that is,  háit- (meaning to call, name, order, command, invite) becomes, in its past tense, haihait!

So, if you were to study a text without knowing what language you’re looking at and you keep seeing these features—well, then, you can be quite sure that you’re looking at Gothic (also, if you were to happen to stumble across something, please tell us because we can really never have enough textual evidence… Please?).

That’s just a little bit about Gothic! I hope you enjoyed this little trip, and do check in with us again next week when we’ll continue our journey through the early Germanic dialects by taking a look at Old Norse!

See you then!

References

This post relies primarily on Orrin W. Robinson’s (1992) book Old English and its closest relatives. The examples used here come from this excellent resource, as well as a lot of the information.

Other resources we’ve used for this post are:

The Wulfila Project – where you can find the Gothic text of Corinthians quoted above.
The Oxford English Dictionary
The English-Old Norse Dictionary, compiled by Ross G. Arthur (2002)
Ancient Scripts – an online resource, used here for the Gothic alphabet
Glossary from Joseph Wright’s Grammar of the Gothic Language
Omniglot – where you can find some more information on the Gothic alphabet